Yamaha TFRACK

‌Yamaha TF-RACK racki paigaldatav digitaalne helimikserpult

Recording/ Playback

• PC/Mac (USB2.0): Recording 34 tracks, Playback 34 tracks
  
• USB Storage Device: Recording 2 tracks (USB hard drive/ SSD)*, Playback 2 tracks (USB hard drive/ SSD/ thumb drive)
  

Groundbreaking TF Series TouchFlow Operation™ in Rack-mount Form

Ever since the first Yamaha digital mixer was released in 1987, the company has been a leader in digital mixer innovation for a wide range of applications. For small events and halls, large-scale outdoor concerts, music production, commercial installations and more, Yamaha offers a comprehensive lineup that delivers world-renowned sonic quality, operability, functionality and reliability.

TF Series digital mixing consoles released in 2015 offer TouchFlow Operation™ which allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications.

The new TF-RACK is a compact rack-mount version of the TF Series, offering the same levels of performance and groundbreaking operability. This space-saving model is accessible to a wide range of users, from beginners to seasoned engineers. The TF-RACK is an unbeatable choice when smooth, intuitive setup and operation is required in limited spaces.

Features

16 mic/line + 1 stereo line Input, 16-Output. Intuitive and smooth all-in-one rack-style digital mixer

TF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact, portable rack-style unit.

Scene memory that stores mix settings for instant recall

The scene memory features banks A and B, each capable of holding up to 100 scenes. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.

1-knob COMP™ & 1-knob EQ™: One Knob to Dial In the Ideal Sound

An experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles. The same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha R&D staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time. 

A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch. But there’s more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.

QuickPro Presets™ Provide Instant Access to Pro Sound Setups

The Yamaha R&D team developed a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major microphone manufacturers such as Audio-Technica, Sennheiser and Shure. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings. For input channels we prepared more than 100 presets that range from vocals to drum sets. All the presets were precisely tuned by using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors with several variations to match different environments and room sizes. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can be saved as additional presets too. The 1-knob EQ and 1-knob COMP can be used with QuickPro Presets™ providing a super-streamlined way to tweak your sound. In addition to the onboard presets, new QuickPro Presets™ will be added to the Yamaha Pro Audio website, so be sure to check for updates.

A Natural Sound Foundation with Extra Creative Freedom

Faithful reproduction of the on-stage sound is the foundation, then creativity can take over. Yamaha’s unswerving approach to live sound reinforcement is alive and well in the TF series. The input stage of any console has a notable effect on its sonic character. The TF consoles feature acclaimed D-PRE™ microphone preamplifiers that not only deliver outstanding quality, but are recallable as well. Circuitry and individual components have been reassessed and redesigned where necessary to achieve extraordinarily pure, natural sound. That solid sonic foundation is backed up by an updated selection of high-performance processors and effects. Input and output channel processors such as EQ, gates and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities.

Recallable D-PRE™ Microphone Preamplifiers

The TF series consoles feature new recallable versions of Yamaha’s acclaimed D-PRE microphone preamplifier. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels. While some microphone preamps are built specifically to impart a unique character of their own, the D-PRE preamplifier has been painstakingly designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer’s art is captured intact.

8 Powerful Processing/Effect Units and More…

In addition to channel processors, TF consoles feature eight powerful processing/effect units. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression. With two units of global FX the panel EDIT key opens the effect parameter display where detailed parameters can be adjusted instantly. The remaining six Ins FX are available in the AUX 9/10~19/20 master channels for additional signal control i.e. managing levels for in-ear monitoring, or controlling output delay for remotely located speakers using a delay. If more than two Global FX units are required, these Ins effects can be used as additional SEND/ RETURN effects by assigning them to the main stereo bus. The AUX 1~8 buses and main output channels include the same 4-band parametric EQ as provided on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. These GEQ can also be assigned to the physical faders for more detailed fine tuning.

Revolutionary Dan Dugan Automatic Mixer Built In

Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the TF series consoles. The processor is available for input channel 1-8, you can accsess the setting screen easily from their channel strips for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.

Compact system for conference/corporate events

The compact TF-RACK is perfect for applications that require space-saving sound systems such as conferences or corporate events. Since TF-RACK is a rack-mountable mixer it will provide you with a simple and discreet sound system.

The eight Dugan channels of the TF-RACK provide the smarter, more elegant solution for speech applications. When the Dugan automixer is used, it automatically raises the gain of the active microphone inputs while lowering the gain of the inactive microphone inputs to create a consistent overall mix level. This eliminates the need for complex fader operation during presentations or panel discussions. Advanced Dugan automatic mixing algorithms also maintain a safe feedback margin, ensuring high quality, high clarity sound at all times.

Applications that Work Seamlessly with the Console

Separate software applications that allow wireless mixing, personal monitor mixing or offline setup of digital live mixing consoles have become fairly common. The TF series goes a step further with three dedicated apps: TF Editor, TF StageMix and MonitorMix. These apps feature user interfaces which seamlessly extend the console on any device.

TF Editor Facilitates Offline Editing Plus Showtime Control

The TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names. In addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three devices running TF Editor or StageMix can be connected at the same time.

TF StageMix™ for Wireless Mixing

TF StageMix is an iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the console’s own interface. The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.

Personal Monitoring with MonitorMix

The MonitorMix application for the TF Series allows individual wireless AUX mixing from up to 10 iPhone, iPad or iPod touch devices simultaneously. Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters. They can also create personal Group settings for even easier adjustment: all levels on just one fader, for example. Since up to three devices running TF Editor or StageMix and up to 10 devices running MonitorMix can be connected at the same time, even large bands can have the personal control they need, reducing demands on the sound engineer.

Spetsifikatsioonid:

Mixing Capacity

• Input Channels: 40 (32 mono + 2 stereo + 2 return)
  
• Aux Buses: 20 (8 mono + 6 stereo)
  
• Stereo Buses: 1
  
• Sub Buses: 1

• Input channel functions: 8 DCA Groups

I/O

• Inputs: 16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin)
  
• Outputs: 16 (8 XLR + 8 TRS phone)
  
• Expansion slots: 1 (for NY64-D)
  
• On-board processors: DSP: 8 Effects + 10 GEQ

• Sampling frequency rate Internal: 48 kHz
  
• Signal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
  
• Fader: Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

Total harmonic distortion

• Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)
  
• Frequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
  
• Dynamic range: 110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.
  
• Hum & noise level: Equivalent input noise –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)
  
• Residual output noise: –85 dBu, ST master off (Measured with an A-Weight filter)
  
• Crosstalk: –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
  
• Power requirements: 100–240 V 50/60 Hz
  
• Power consumption: 85 W
• Mõõtmed: 480 x 132 x 409 mm
  
• Kaal: 9.2 kg

• Options: Audio Interface Card (NY-64D), Foot Switch (FC5)
  
• Others: Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

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